for oboe & English horn, trombone & bass trombone, viola & violin, cello, percussion (an ensemble of five players) and recorded voices (fixed electronics).
(2016 – 2017) ©2017 Esin Gunduz.
- …an-zà-śè maḫ-àm… …as lofty as the horizon… 00:18
- …ku-ku za-lag ge-eş ĝar… …to turn darkness into light… 04:56
- …ur-re ca-mu-u-hul-le… …to make you joyous… 10:42
Lights on Inanna is based on the texts of three ancient Sumerian tablets that were inscribed for their Goddess Inanna and I read these texts as the Sumerians’ cultural/psychological projections on women.
Throughout my compositional process, I performed, recorded, and analyzed selected phrases from these tablets. I studied the semantics, spectra, and the sensory experiences that they bring about and molded this data into instrumentation and orchestration. My works generally explore the union and opposition of energies which “Lights on Inanna” points to by acknowledging three -still present- cultural/psychological projections on women.
On three selected Sumerian tablets, the Sumerians relate to their Goddess Inanna as the:
- Adored object
- Destructive power
- “One of us”!
Mix: Henry Birdsey
Performers on this recording:
Megan Kyle, oboe, English horn and reeds
Ben David Aronson, trombone, bass trombone
Leanne Darling, viola, violin
Jonathan Golove, cello, electric cello
Steve Solook, percussion
Recorded March 2017, UB, Buffalo NY
Esin Gunduz is a new music composer and a vocal performer whose work investigates the types of energies at play among all beings (connection / tension, opposition / union), exploring these energies as sensory experiences and sound. In her works, the tessitura in human voice is translated into instrumentation and orchestration. The landscapes built from recorded-voice samples surround the instruments creating other-worldly atmospheres.
Categories: Original Composition
Composer and Vocal performer