Esin Gunduz
Composer |
Vocal performer 


︎Works
as a Composer


︎En-he-du-an-na-me-en 𒈾
2020


︎
Sounding Spaces︎
2021




︎coniunctio︎
2019-20





︎Lights on Inanna ︎

2016-17





︎Interludes ︎
2019

...from Interludes written for Senso di Voce, composed as interludes throughout an early music repertoire.
for oboe and voice



︎Color Score ︎
2021



︎Iron Softens in Union ︎
2012-13
 
...iii. mov. of States of Iron, imagining the intense acoustical interference between instruments, as an amalgam of metal and spirit.
for bass flute, bass clarinet, and voice




︎Sense of Energy ︎2018



︎Sense of Lmcml ︎
2019





︎︎︎
to explore closely,
click on
the text
above or below
each video.



...
︎All
Excerpts

Tyshawn Sorey’s
Autoschediasms





w/ Phillip Greenlief
Improvisatory Ensemble





Interludes
w/Senso di Voce





Aliya Ultan’s
Become a House





(a) As above, so below
w/ Senso di Voce

︎Senso di Voce








Copyright © 2020 Esin Gunduz.
Composer | Vocal performer







Mark
Esin Gunduz
Composer |
Vocal performer 


︎Works
as a Composer





︎
Sounding Spaces︎
2021



︎coniunctio︎

2019-20





︎Lights on Inanna ︎

2016-17





︎Interludes ︎
2019

...from Interludes written for Senso di Voce, composed as interludes throughout an early music repertoire.
for oboe and voice




︎Color Score ︎
2021



︎Iron Softens in Union ︎
2012-13
 
...iii. mov. of States of Iron, imagining the intense acoustical interference between instruments, as an amalgam of metal and spirit.
for bass flute, bass clarinet, and voice




︎Sense of Energy ︎
2018



︎︎︎
to explore them closely
click on the text
above or below
each video.



...  
︎All Excerpts




︎Vocal Performance | Improvisation


Tyshawn Sorey’s
Autoschediasms




w/ Phillip Greenlief
Improvisatory Ensemble



Interludes
w/Senso di Voce





Aliya Ultan’s
Become a House





(a) As above, so below
w/ Senso di Voce

︎Senso di Voce





Copyright © 2020 Esin Gunduz
Composer | Vocal performer

Mark
“... a sound wizard! ...”
Rosie Middleton, mezzosoprano
Commissioner: Voice(less) Series - London Uk



“...Esin’s music arises miraculously from the body’s own forgotten rhythms.
Reading her score for the first time, I felt as if I had been startled by a secret and unexpected mirror.”
Nathaniel LaNasa, pianist
Commissioner: Ultrafizz, Since 1500 - NYCity Usa


“... sounds as if it is dentelle or some beautiful tapestry.”
about Lights on Inanna
Dr. Andrea Young, composer, performer
Collaborator - Montreal Ca



Esin Gunduz, PhD


For composer, vocal performer, and improviser
Esin Gunduz,
sound originates in the body.
︎

She explores life’s energies as visceral sensory experience and sound, building landscapes of her own recorded-voice samples to surround acoustical instrumental textures,
creating breathtaking acoustic vistas.

...

Dr. Gunduz had her works performed at the NonClassical UK, Banff Centre, and as part of the National Sawdust Digital Discovery Festival. Among the performers who have championed her work are Ensemble Linea and mandolinist Avi Avital, as well as the previous members of Talea Ensemble and the International Contemporary Ensemble.

Prominent projects include an electroacoustic ensemble piece based on Sumerian tablets and a work that turns alchemical processes into sound for the NyCity-based duo: Ultrafizz.
Her most recent work, En-he-du-an-na-me-en, is based on a text by Enheduanna 𒂗𒃶𒌌𒀭𒈾 (the first author writing in 2300 BCE) and is written for mezzosoprano Rosie Middleton’s Voice(less) Commissioning Series for electronics and voice. The work had been programmed for Iceland Dark Music Days before the pandemic, yet later been premiered for the Nonclassical, UK and been recorded at Cafe Oto, 2021. ︎Watch Esin talk about En-he-du-an-na-me-en


A researcher of vocal performance, Esin Gunduz has offered workshops for the Indeterminacy Consulting Group and Festival, CS1 Curatorial Projects, and an Orchard of Pomegranates in Montréal. She is an adjunct voice instructor at Villa Maria College and holds a PhD in music composition from SUNY University at Buffalo. Originally from Istanbul Turkey, Dr. Gunduz currently lives in New York State, Usa.

esingunduz.com





an Artist’s Statement






“As a composer,
I concentrate on the nature of sound and its embodiment.



As humans, we respond to human-voice with a primal empathy.
An immediate kind of mirroring takes place.


We “know” the tension that is required to produce that sound.

We feel it in our own bodies.



We reflectively react to it at times:

such as raising our eyebrows when we hear voices in upper-spectra (like a boy-choir),

or clearing our throats after hearing a “scratchy” throat-sound.

...

Owing my predisposition, to both my roots from Thrace (Trakya)
and to have spent my youth in Istanbul,

I am particularly fascinated by culture-specific
vocal practices and traditional vocal-techniques,
not only for their complex acoustical spectra,
but also for how they communicate and convey
a wide range of 
such direct and human experience.

Life vibrates within those sounds.
︎


Such vocal timbres carry information into
a singer’s attitude | psychology | type-of-being | (…)


— phrases of singing are 
time-capsules of
human-life in acoustics.
︎


I learn from these and translate them into instrumental writing;

I aim to create the directness
( immediacy and presence! )
of human-voices,
for 
ensembles.



© 2019










︎Contact ︎︎
or esingund at gmail dot com









Copyright © 2020 Esin Gunduz.
Composer | Vocal performer




Mark