Esin Gunduz
Composer |
Vocal performer
︎Works
as a Composer
Medea Travelling Project ︎
2022 - ...
In collaboration with Emre Koyuncuoğlu, Yasemin Nur, and Simon Wachsmuth![]()
︎En-he-du-an-na-me-en 𒈾
2020 In collaboration with Rosie Middleton, mezzosoprano
︎Lights on Inanna ︎
2016-17
Sounding Spaces︎
2021
with Senso di Voce ( The excerpt is best heard with 🎧 )
Sounding Spaces: Passage
︎coniunctio︎
2019-20
︎Interludes ︎
2019
︎Iron Softens in Union ︎
2012-13
![]()
︎Sense of Energy ︎
2018
︎︎︎
to explore closely,
click on
the text
above
each video.
Composer |
Vocal performer
︎Works
as a Composer
Medea Travelling Project ︎
2022 - ...
In collaboration with Emre Koyuncuoğlu, Yasemin Nur, and Simon Wachsmuth
... the myth of Medea is reconsidered, producing a critical look at all the texts. In these performances, video art, installation, experimental sound installation, performance and interactive theater are intertwined in a unique space.
—for voice & electronics
—for voice & electronics
︎En-he-du-an-na-me-en 𒈾
2020 In collaboration with Rosie Middleton, mezzosoprano
︎Lights on Inanna ︎
2016-17
... based on three ancient Sumerian tablets, on both the humanity’s cultural / psychological projections on women and the multiplicity within female soul.— for ensemble of five players (each doubling) and electronics (recorded voices)
Sounding Spaces︎
2021
with Senso di Voce ( The excerpt is best heard with 🎧 )
Sounding Spaces: Passage
︎coniunctio︎
2019-20
... based on the medieval alchemical processes, on the way that the relationship between one’s work and her soul is aimed to become through alchemical processes.
—for two mouth-harmonicas. *The piece doesn’t require professional harmonica players.
—for two mouth-harmonicas. *The piece doesn’t require professional harmonica players.
︎Interludes ︎
2019
... excerpt from “Interludes’ written for Senso di Voce, composed to function as interludes throughout a repertoire of early music and contemporary improvisations.
— for oboe and voice
— for oboe and voice
︎Iron Softens in Union ︎
2012-13
...imagining the intense acoustical interference between instruments, as an amalgam of metal and spirit.
— for bass flute, bass clarinet, and voice
— for bass flute, bass clarinet, and voice
︎Sense of Energy ︎
2018
︎︎︎
to explore closely,
click on
the text
above
each video.
Senso di Voce
presents:
SONIC IMPRESSIONS
©2021
about
Senso di Voce
learn about
who we are!
︎Senso di Voce website
from Tyshawn Sorey’s Autoschediasms
...
with Phillip Greenlief
Improvisatory Ensemble
...
excerpt from
Interludes ©2019
with Senso di Voce
...
from Aliya Ultan’s
Become a House
...
excerpt from
Senso di Voce
presents:
As above, so below
(2018)
︎Senso di Voce website
Copyright © 2020 Esin Gunduz.
Composer | Vocal performer
Esin Gunduz
Composer |
Vocal performer
︎Works
as a Composer
︎︎︎
to explore closely,
click on
the text
above
each video.
︎Vocal Performance | Improvisation
Composer |
Vocal performer
︎Works
as a Composer
In collaboration with Emre Koyuncuoğlu, Yasemin Nur, and Simon Wachsmuth
![]()
... the myth of Medea is reconsidered, producing a critical look at all the texts. In these performances, video art, installation, experimental sound installation, performance and interactive theater are intertwined in a unique space.
—for voice & electronics
—for voice & electronics
︎En-he-du-an-na-me-en 𒈾
2020 In collaboration with Rosie Middleton, mezzosoprano
︎Lights on Inanna ︎
2016-17
Sounding Spaces︎
2021
with Senso di Voce
︎coniunctio︎
2019-20
︎Interludes ︎
2019
︎Iron Softens in Union ︎
2012-13
![]()
︎Sense of Energy ︎
2018
2020 In collaboration with Rosie Middleton, mezzosoprano
︎Lights on Inanna ︎
2016-17
Sounding Spaces︎
2021
with Senso di Voce
︎coniunctio︎
2019-20
... based on the medieval alchemical processes, on the way that the relationship between one’s work and her soul is aimed to become through alchemical processes.
—for two mouth-harmonicas. *The piece doesn’t require professional harmonica players.
—for two mouth-harmonicas. *The piece doesn’t require professional harmonica players.
︎Interludes ︎
2019
... excerpt from “Interludes’ written for Senso di Voce, composed to function as interludes throughout a repertoire of early music and contemporary improvisations.
— for oboe and voice
— for oboe and voice
︎Iron Softens in Union ︎
2012-13
...imagining the intense acoustical interference between instruments, as an amalgam of metal and spirit.
— for bass flute, bass clarinet, and voice
— for bass flute, bass clarinet, and voice
︎Sense of Energy ︎
2018
︎︎︎
to explore closely,
click on
the text
above
each video.
︎Vocal Performance | Improvisation
SONIC IMPRESSIONS
©2021
Senso di Voce
learn about
who we are!
︎Senso di Voce website
from Tyshawn Sorey’s
Autoschediasms
...
with Phillip Greenlief
Improvisatory Ensemble
...
excerpt from Interludes ©2019
with Senso di Voce
...
from Aliya Ultan’s
Become a House
...
excerpt from
Senso di Voce presents:
As above, so below
(2018)
Senso di Voce released the full hour long video of this concert with stunning visuals from the silos that the performance took place in...
Please find the link on our website and consider supporting us with a small donation!
Please find the link on our website and consider supporting us with a small donation!
︎Senso di Voce website
Composer | Vocal performer