Esin Gunduz
Composer |
Vocal performer 




selected works:


‘...through itself...’
©2023 Esin Gunduz

Chamber Music America Classical Commissioning Award
Senso di Voce

in close collaboration with:
Megan Kyle, oboe






Senso di Voce’s
newest album:

through itself

released from
Sonic Transmissions Records
Sept 12, 2025.


(The cover art links to bandcamp)

cover art: Juliane Schütz


‘...through itself...’* ©2023, a work by Esin Gunduz, draws inspiration from the mystical and philosophical writings of revolutionary Islamic thinker İbn 'Arabî (1165-1240). This 20-minute chamber work is an exploration of profound philosophical concepts of his, through sound.

Each of the four movements explores a different concept, their trajectory mirroring that of Sema, a Sufi ritual.

I. Selam:
yearning to become one with (wajd)

II. Everything is alive:
the life-force inside all existent things (‘even inside a rock’)

III. Perplexity:
the state of bewilderment / non-dual awareness (hayrah)

IV. Oneness:
the state of union / higher state of consciousness (‘immediate tasting’)

(...︎more on bandcamp... )



Senso di Voce’s EP
m a r v e l i n g

cover art: Juliane Schütz

m a r v e l i n g
is a set of live improvisations
that forecast the duo’s upcoming album: through itself.

These two tracks 'marvel at' the sound universe invoked by ‘...through itself…’* ©2023 by Esin Gunduz.

︎







Improvisations
by Senso di Voce

at the ‘Fire Museum Presents’
(Philadephia, Usa)






Tierceron
an album of improvisations

by Senso di Voce and Henry Birdsey

voice, harmonium: Esin Gunduz
oboe, English horn: Megan Kyle
violin: Henry Birdsey

released July 7, 2023
Other Minds Records,
San Francisco


︎Listen to it on Bandcamp

Reverb: Silo City “Marine A” model
by Henry Birdsey

Recording, editing, mix:
Henry Birdsey
Recorded at:
Avaloch Farm Music Institute, July 2019


OM-1037-2 © all rights reserved





︎Lights on Inanna
©2016-17


i. …an-zà-śè maḫ-àm……as lofty as the horizon…


as featured in:
Works for Loudspeakers #28
Sonorous Circle
(New Zealand)



in three movements:


— for an ensemble of five players (each doubling):
oboe | English horn, trombone | bass trombone, violin | viola, cello | electric*
(*optional) cello, percussion: vibraphone | marimba, cymbals | crash, tom toms | Chinese drum, and electronics.
... the myth of Medea is reconsidered, producing a critical look at all the texts. In these performances, video art, installation, experimental sound installation, performance and interactive theater are intertwined in a unique space!
As part of a multidisciplinary project inspired by Greek mythology, Medea, Fine-Tuning gives a modern spin to the wild story of Medea by setting the current political trajectory as the background.


— for voice & electronics (sound / sound design)




Improvisations
-excerpt-
@ Hallwalls Contemporary Art Centre, 2021





Sounding Spaces
©2021
with Senso di Voce ( This excerpt is best heard with 🎧 )












excerpt from:
Interludes ©2019
for Senso di Voce





Proximity of Rituals / Ritüellerin Yakınlığı
©2015




learn about
Senso di Voce
who we are:





If the Water Has Memory
©2009*

Choreographed version with:
Mariana Lucia Marquez


... referring to the earthly phenomena of water remembering substances that were previously dissolved in it, this piece imagines that the rivers remember the songs that were sung for them!

Folk songs from different regions of the world that are about rivers (and often sung along the riversides), were compiled, performed, recorded, and composed.

— originally an electroacoustic piece for mandolin (Avi Avital), percussion, and electronics.

— for electronics: recorded voices.


*Composer’s very first use of electronics.





︎



As Featured in
Larger Ensembles:


solo moment
within Tyshawn Sorey’s
Autoschediasms




with Phillip Greenlief
Improvisatory Ensemble





excerpt from Aliya Ultan’s
Become a House




︎Free Vocal Improvisation (...more recordings)


︎Vocal Performances - prior to 2018
 





Copyright © 2020 Esin Gunduz.
Composer | Vocal performer







Mark
Esin Gunduz
Composer |
Vocal performer 

selected works:




‘...through itself...’
©2023 Esin Gunduz

Chamber Music America Classical Commissioning Award,
Senso di Voce

in close collaboration with:
Megan Kyle, oboe 




Senso di Voce’s
newest album:

through itself

released from
Sonic Transmissions Records
Sept 12, 2025.

(The cover art links to bandcamp)

cover art: Juliane Schütz


‘...through itself...’* ©2023, a work by Esin Gunduz, draws inspiration from the mystical and philosophical writings of revolutionary Islamic thinker İbn 'Arabî (1165-1240). This 20-minute chamber work is an exploration of profound philosophical concepts of his, through sound.

Each of the four movements explores a different concept, their trajectory mirroring that of Sema, a Sufi ritual.

I. Selam:
yearning to become one with (wajd)

II. Everything is alive:
the life-force inside all existent things (‘even inside a rock’)

III. Perplexity:
the state of bewilderment / non-dual awareness (hayrah)

IV. Oneness:
the state of union / higher state of consciousness (‘immediate tasting’)

(...︎more on bandcamp... )



Senso di Voce’s EP
m a r v e l i n g

cover art: Juliane Schütz


m a r v e l i n g
is a set of live improvisations
that forecast the duo’s upcoming album: through itself.

These two tracks 'marvel at' the sound universe invoked by ‘...through itself…’* ©2023 by Esin Gunduz.


︎


En-he-du-an-na-me-en
©2020

(read more︎)

in close collaboration with:
Rosie Middleton*
mezzosoprano



... based on an ancient Sumerian text by Enheduanna (𒂗𒃶𒌌𒀭𒈾), En-he-du-an-na-me-en explores the struggle and resistance of a silenced woman becoming resonant again!



*10 performances at festival / concert series across UK, Iceland, and Italy.


**Middleton’s ‘Voice(less)’ Commissioning Project.






Improvisations
at ‘Fire Museum Presents’
(Philadephia, Usa):





 



Tierceron
an album of improvisations
by Senso di Voce and Henry Birdsey

voice, harmonium: Esin Gunduz
oboe, English horn: Megan Kyle
violin: Henry Birdsey

released July 7, 2023
Other Minds Records, San Francisco


︎Listen to it on Bandcamp

Reverb: Silo City “Marine A” model
by Henry Birdsey

Recording, editing, mix: Henry Birdsey
Recorded at:
Avaloch Farm Music Institute, July 2019

OM-1037-2 © all rights reserved






Lights on Inanna
©2016-17





Medea Travelling
©2022, ©2023


In collaboration with:
Emre Koyuncuoğlu, Simon Wachsmuth, Yasemin Nur

︎Click on the image to hear an excerpt.


multi-disciplinary:
Medea ‘on -a thin- line’ (2022)


(read more ︎)


... the myth of Medea is reconsidered, producing a critical look at all the texts. In these performances, video art, installation, experimental sound installation, performance and interactive theater are intertwined in a unique space!


theatre play:
Medea Fine-Tuning (2023)


(read more ︎)

As part of a multidisciplinary project inspired by Greek mythology, Medea, Fine-Tuning gives a modern spin to the wild story of Medea by setting the current political trajectory as the background.


— for voice & electronics: 
sound & sound design for choreography, video, theatre play.





Improvisations
-excerpt-
by Senso di Voce
@ Hallwalls Contemporary Art Centre, 2021





Sounding Spaces
©2021
with Senso di Voce
( This excerpt is best heard with 🎧 )






︎coniunctio
©2019-20

Tremolo harmonicas were used in this recording. Professional harmonica players are not required.



Senso di Voce
presents:
SONIC IMPRESSIONS
©2021


In collaboration with Memorial Art Gallery,
Senso di Voce presents a virtual concert inspired by the exhibition: “Renaissance Impressions: Sixteenth-Century Master Prints from the Kirk Edward Long Collection”

... which explores the emergence and transformative impact of the print medium on the visual culture of Renaissance Europe.


Curated by Senso di Voce, the concert includes Esin’s work: Bogalele (2021), inspired by the cantu a tenòre tradition of Sardinia and the throat-playing tradition of the Teke Nomads in Southern Turkey.



︎Iron Softens in Union
from: States of Iron
©2012-13

... imagining the intense acoustical interference between instruments as an amalgam of metal and spirit.

Click this text / image for more info and the recording.

— for bass flute, bass clarinet, and voice






excerpt from:
Interludes ©2019
for Senso di Voce





Proximity of Rituals / Ritüellerin Yakınlığı
©2015






excerpt from
Senso di Voce:
As above, so below

(2018)

Senso di Voce released the full hour long video of this concert with spatialized sound and stunning visuals from the Silo City (that the performance took place in):

Please find the link on our website
...and consider supporting us with a small donation!
︎Senso di Voce website


... referring to the earthly phenomena of water remembering substances that were previously dissolved in it, this piece imagines that the rivers remember the songs that were sung for them!

Folk songs from different regions of the world that are about rivers (and often sung along the riversides), were compiled, performed, recorded, and composed.

— originally an electroacoustic piece for mandolin (Avi Avital), percussion, and electronics.

— for electronics: recorded voices.


*Composer’s very first use of electronics.





︎


As Featured in
Larger Ensembles:


solo moment
within Tyshawn Sorey’s 
Autoschediasms


...


with Phillip Greenlief
Improvisatory Ensemble


...


within Aliya Ultan’s
Become a House










︎Free Vocal Improvisation (...more recordings)


︎Vocal Performances - prior to 2018




Copyright © 2020 Esin Gunduz
Composer | Vocal performer

Mark